Welcome to my blog site. I will be posting anything and everything about what I do with music, may it be teaching, performing, composing, arranging, and orchestrating. Leave a comment, follow, share your thoughts, and let’s help each other be better musicians.
Jun Regalado is regarded as Asia’s most recorded drummer. His works spans from the 70’s up to te early 90’s with recording credits such as song from VST & Co., Ryan Cayabyab (ex. KAY GANDA NG ATING MUSICA), Basil valdez, Kuh Ledesma, as well as commercial and jingle music produced by the likes of Louie Ocampo, Ryan Cayabyab, and Jose Mari Chan. His vast experience in the recording and performing industry makes him a true pillar of OPM.
Final project live orchestra reading of my orchestration class for both 2nd term and 3rd term, school year 2016-2017 at the College of Saint Benilde School of Design and Arts, Music Production Department.
Here’s a short clip of my one-on-one bass class at De La Salle College of Saint Benilde Music Production Department (student name: Zildjan Benitez). An effective walking bassline should outline the harmony horizontally since the bass is essentially a monophonic instrument.
Here’s a short clip from my orchestration class. An interesting orchestration technique is done by Tchaikovsky which switches the focus of the listener from the melody to the countermelody.
I will be conducting a lecture/workshop on March 10, 2016, 10am-12pm at the University of Santo Tomas Conservatory of Music. The main topic of this lecture is creating separation between ideas in orchestration and guiding the listener’s attention in a multi-layered texture orchestration. I may throw in some composition and music production ideas as well. See you there! 🙂
I had the privilege of arranging and orchestrating the music for Nicole Asensio’s song “Walang Anuman”. I also asked permission to post the orchestral score here for arranging and orchestration students to use as reference in their studies. Notice though that the score includes a drum set, which is not present in the final audio. We recorded two versions of the song, one with full rhythm section, the other without. We ended up releasing the one without the drums.
click to view the score: Walang Anuman (Full Orchestra Score)
Here’s a Soundcloud link to the draft orchestra mockup, which is reflected exactly on the orchestral score above.
below is the final version and music video of the song.
Lyrics: Nicole Laurel Asensio / Norris Lopez
Music: Nicole Laurel Asensio/ Diedonne Russo
Arranged and Orchestrated by: Juan Carlo Magsalin of Manila Philharmonic Orchestra
CAST: Sid Lucero Nicole Laurel Asensio Jim Paredes (Mafia lord- father) Charles Bennet (young son) Manu Respall (barber) Miguel Vasquez (body guard) Mavi Lozano (violinist) JC Magsalin (contrabass) Gino Lopez (guitarist) Michael De Castro (pianist)
EXECUTIVE PRODUCER: Nicole Laurel Asensio
LINE PRODUCER: The GWARD Inc.
DIRECTOR: Gorio Vicuna
ASSOCIATE PRODUCER: Peejay Vicuna
ASSISTANT DIRECTOR: Leon Miguel
LINE PRODUCER/PM: Elaine Lozano
PRODUCTION COORDINATOR: Thals Manasis
DOP: Jhep Veloso
Camera Operator: Peter Frac
PRODUCTION DESIGN: Manu Respall
WARDROBE and HAIR: Joseph Aloysius
MAKEUP: Nicole Pastrano
GAFFER: Allen Cristobal
LIGHTING CREW: Dave Montalbo Allen Santorio
UTILITY: Gerry Geneblazo Jojo Canonoy
CAMERA RENTAL: Raffy Yllana
LIGHTS AND EQUIPMENT: Cinerent
TRANSPORATION: JR Transport Cirk
CATERING: Big Belly Productions
VENUE: Fernwood Gardens,
Special Thanks to Al and Barbara Bennett
I’ve prepared this video regarding improper beat groupings encountered by arranging students. Readability must be the one of the priorities of orchestrators/arrangers when preparing scores and parts to facilitate easy sight reading. Finale has a command called “Retranscribe”, which automatically corrects poorly written beat groupings.