I will be conducting a lecture/workshop on March 10, 2016, 10am-12pm at the University of Santo Tomas Conservatory of Music. The main topic of this lecture is creating separation between ideas in orchestration and guiding the listener’s attention in a multi-layered texture orchestration. I may throw in some composition and music production ideas as well. See you there! 🙂
For students at De La Salle College of Saint Benilde, Manila, Philippines, I will be conducting the 2nd or 3 sessions of lectures and workshops on concepts for beginning improvisation this Wednesday, March 11, 2015
The 2nd session will deal more on motivic development and the concept of target notes based on a simple guide tone line.
As before, we will begin the session with a short lecture and demonstration. Proceeding right after the lecture is a workshop for students. I strongly encourage those attending to bring their instruments and participate in this workshop.
See you all on Wednesday, March 11.
To my orchestration students, I stumbled upon this really cool video. It’s a live performance of the music used in old Tom and Jerry cartoons. In relation to our current lesson in Brasses (and subsequent lessons in Woodwinds and Percussion), there are a lot of articulation here in use that are hard to describe in class without examples. Let’s get on with the observations:
– music starts off big and comedic. then at about 0:31, changes into a smaller comedic orchestration
– from 0:31, notice the really quick, short, and energetic melody presented by strings. this helps in the presentation of the hyper-active cat-and-mouse scenes.
– notice when the solo violin comes in at 0:51, the orchestration of the other material (harmonic and counterpoint) thins out to let the solo violin project more (solo violin is doubled with flute at 1:02).
– 0:57 comes the trumpets using mutes. i can’t really tell though if they’re using straight mutes or harmon mutes.
– 1:15 in this orchestration, the addition of the sax section (usually 2 altos, 2 tenors, 1 baritone, but in this case its 3 altos and 1 baritone). this gives the music that jazz-y feel along with the addition of the drum set.
– at 1:32, a solo muted trumpet comes in off-camera.
– 1:47 here you see trumpets using the plunger to get that “wah-wah” effect.
– 2:00 here you’ll see a trombone glissando using the slide.
– 2:14 one of the many “weird” percussion instruments you’ll encounter: trashcan and plates/pans.
– 2:21 another weird percussion instrument. the “screaming man”.. hehe
– 2:29 perfect example of a quirky melodic line in the strings doubled by the marimba to add to that comic effect.
– 2:45 trombone solo counterpoint with slide glissandi
– 2:48 off camera, you’ll hear the brasses do a flutter tongue effect.
– 3:03 trombone using a harmon mute and using his hand for a “wah-wah” effect.
– 3:30 you guys just imagine the scene that needs that kind of percussion.
– 4:55 yes, a gunshot can be used as a percussion instrument (just like one of, i think, mozart’s pieces that requires for a cannon to be shot).
This video compilation/post features some of my film score demos, which I did while I was finishing my certificate course in film music at Berklee Online.
High Intensity Action
Moderate Intensity Action
Suspense / Mystery
Magic / Fantasy